That's just my more developed mind nagging me now - back then I had noД¬lue. There are so many things I could have done differently, but I suppose

When I look back at the designs is how nothing is consistent. Important for me that my visual works looked 'cool' rather thanДЄctually being plausible, interesting and useful concepts Now when I look back at my designs I guess it was more My greatest take-home lesson from TAKO was that you have to have a great measure of discipline to complete anything - hell, to take anything further than the innovation part.Д«ack then I had only a very basic understanding of game design, let aloneД¬onceptualizing. Outsourcing, others in various projects - none of which materializedДЄFAIK. Studio were kind of concentrated on their own tasks, some with The coordination was in short not optimal, and most of the folks in the We never managed to push outДЄnything of substance, other than my concept art and illustration. After I graduated I took up an internship of six months toД¬ontinue working on the TAKO project. School themselves, and everybody was kind of learning the ropes as we The company, Grit Studio, was a startup and the devs were fresh from Subject for a thesis, and I happened to meet an entrepreneur lookingДЇor people like me to participate in his development process. I was wrapping things up at the university at the time and I was looking for a Never went further than the conceptualizing / world design level. The project didn't have an official title, as the production Grit Studio, a long since extinct game development company back inДў011-2012. (our preferred callsign) was a cyberpunk game project I created with

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